Mors, Resurrectio, et Omnipotentia by Claude Machiha
Death, Resurrection, and Omnipotence
Fantasy genre, cinematic, hybrid orchestral score; composed by Claude Machiha.
Death told by low-blooming strings and brass. Resurrection erupting into a massive crescendo driven by the strength of Japanese Taiko percussion, sequenced in deep low African drum patterns; accompanied by beautifully low European wind and string sounds. Omnipotence joyously acclaimed by virginal feminine and stabbing masculine vocals.
Experience the deep, awakening, sonorous sound, happening now inside the psyche of the One and Only, the True Immortal: אֶהְיֶה אֲשֶׁר אֶהְיֶ , אֵל רֳאִי.
viel zu tun in Frankfurt by Claude Machiha
lots to do in Frankfurt
Fast-paced, stereotypical Euro techno groove; composed by Claude Machiha.
Built on isolated viola stabs and a pulsing sidechained bass to portray the intellectual speed and busyness of Finance professionals in the beautiful, industrious, and cold-blooded city of Frankfurt, Germany.
Spanish guitar adds syncopated chord flurries and counter-melodies, communicating the peaks and troughs in German Finance business.
Bright whistles and glistening cymbal textures colour the ups and downs many Frankfurter Finance professionals train commutes.
Vita Super Mortem Vincet by Claude Machiha
Life Will Triumph Over Death
Dark cinematic orchestral score; composed by Claude Machiha.
Low brass swells, contrabass and deep cello ostinatos growl under distant war drums, symbolising the presence of ever-growing evil. Male choir drones with dissonant clusters, and soft female vocals float above in high register, announcing the entrance of light, almost wordless at first.
Strings and horns build to a ruthless, crushing crescendo with pounding percussion and clustered brass, portraying the light’s impregnable strength.
Ending on a searing, unresolved chord, theme, soft, orchestral, deep cello, light, gentle, triumph over the stinging darkness of death.
Novissimus Dies by Claude Machiha
The Last Day
Slow, fast, intentional, unintentional, horrifying, jubilant cinematic score, by Claude Machiha.
Evolving orchestral pads, strings over a repeating harmonic loop, signifying the cracking open of the skies, the freezing of time, partially aligning Moon and Sun, shockingly coinciding night and day. Slow-burning at first, with sustained chords, and sparse high-register motif, punching in crippling fear, and realisation, as the King unsaddles his white horse, mid-air, human eyes fixed.
Texture thickens with brass swells and choir beds, as the King, levitating, re-introduces Himself to all mankind; mid-air, deep bass and impactful percussion enter, driving a controlled escalation toward a towering, rhythmically defined climax, stripping humans naked of their right to logic, reason, and self-determination.
